|
Barratt-Peacock, R., & Herbst, J. - P. (2025). The effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach. Metal Music Studies, 11(1), 65–89.
|
|
|
Czedik-Eysenberg, I., Wieczorek, O., Flexer, A., & Reuter, C. (2024). Charting the Universe of Metal Music Lyrics and Analyzing Their Relation to Perceived Audio Hardness. Transactions of the International Society for Music Information Retrieval, 7(1), 129–143.
|
|
|
Herbst, J. - P., & Mynett, M. (2022). Toward a Systematic Understanding of “Heaviness” in Metal Music Production. Rock Music Studies, t.b.c..
|
|
|
Herbst, J. - P., & Mynett, M. (2022). What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers. Popular Music and Society, t.b.c., t.b.c.
|
|
|
Herbst, J. - P., & Mynett, M. (2023). Lorna Shore’s ‘To the Hellfire’: A study in heaviness. Metal Music Studies, 9(2), 189–213.
|
|
|
Miller, J. (2021). What Makes Heavy Metal “Heavy”? The Journal of Aesthetics and Art Criticism, 80(1), 70–82.
|
|
|
Volák, V. (2022). Heaviness: A Key Concept of Metal Music Through the Lens of Deleuzian Philosophy. Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 30, 53–62.
|
|