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(2025). Into the Void: Life, Death and Heavy Metal (TV Series). Brooklyn, New York: Vice Media Group LLC.
Abstract: Episode 1: Randy Rhoads; 2: Kurt Struebing of NME; 3: Judas Priest on Trial; 4: Chuck Schuldiner of Death; 5: Wendy O. Williams; 6: Iranian Metal Crusade; 7: Ann Boleyn of Hellion; 8: Dimebag Darrell
“SYNOPSIS: INTO THE VOID is a groundbreaking documentary series that explores the epic struggles and the cultural impacts made by Heavy Metal’s most compelling artists. Their intensely personal stories about finding success offer an intoxicating combo of volume and distortion delivered via pulsating tales of murder, addiction, rebellion and redemption.”
(SOURCE: https://press.hulu.com/shows/into-the-void/)
“Delves into the emotional sagas and behind-the-scenes lives of iconic heavy metal bands and artists, offering an intimate look at the towering legends and unforgettable figures in the genre's history.”
(SOURCE: https://www.imdb.com/title/tt35048255/)
See also: https://www.imdb.com/news/ni65469916/
<< 8 bands listed on 8 cassettes in official film series poster: 1) Death (Florida); 2) Judas Priest; 3) N.M.E. (Tacoma, Washington); 4) Pantera; 5) Hellion; 6) Randy Rhoads; 7) Plasmatics; and 8) Confess (Iran).
CREDITS: Helmed by executive producers Evan Husney and Jason Eisener, the co-creators of the hit pro wrestling documentary series “Dark Side of the Ring,” which debuted in 2019 – becoming Vice TV’s most-watched series of all time.>>
Guillermo Garcia, executive producer.
Vice Studios
SOURCE: https://www.hulu.com/series/into-the-void-life-death-and-heavy-metal-07fbab33-fe16-4154-b761-541ff9cc4783
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Batista, L. J., & Thenaday, R. (2015). Hellfest. Vanves: Hachette.
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Chaker, S. (2021). Im Höllen-Labyrinth des Metal. In O. Dimbath, L. M. Friedrich, & W. Gebhardt (Eds.), Die Hölle der Spätmoderne: Überlegungen zu Praktiken und Funktionen beständiger Jenseitsadressierung in einer dunklen Musikkultur (pp. 319–342). Bielefeld: Transcript.
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Charbonnier, C. (2024). Gentrifying Metal? The Evolving Gender and Social Class Characteristics of Metal Festival Audiences: A Statistical Study of the Hellfest Festival (France). In G. Guibert, & R. Garbaye (Eds.), Musical Scenes and Social Class. Debating Punk and Metal (pp. 195–209). Cham: Palgrave Macmillan.
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Charbonnier, C., Guibert, G., & Prout, J. (2016). Le Hellfest : un pèlerinage pour metalheads. Azay-sur-Cher: Charbonnier.
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Evangelista Ávila, I. I. (2021). Mihcailhuitl e Infierno, visiones del otro mundo interpretadas por Cemican y Luzbel. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 113–120). Buenos Aires: Clara Beter Ediciones.
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Evangelista Ávila, J. L. (2021). Lo infernal y lo demoníaco como formas de subjetividad. Una lectura de las composiciones de Luzbel a partir de Kierkegaard y Sartre. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 121–127). Buenos Aires: Clara Beter Ediciones.
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Guibert, G. (2024). “Good Times, Bad Times”: Hellfest in the days of COVID-19. Metal Music Studies, 10(2), 145–154.
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Guibert, G., & Guibert, C. (2016). The Social Characteristics of the Contemporary Metalhead: The Hellfest Survey. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 167–189). New York & London: Routledge.
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