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Glasper, I. Terrorized: The Collected Interviews, Volume Two. East Sussex, UK: Earth Island Books.
Abstract: << Terrorizer was the world’s leading extreme music publication from its launch in 1993 to its untimely demise in 2018. Ian Glasper was one of the few constants during the magazine’s twenty-five year reign of terror, and their main correspondent for punk, hardcore and thrash metal (not to mention the occasional death metal band and other surprises along the way), and here – for the very first time – he has collected every single interview of his that ever ran, and even a few that didn’t. >>
(Source: https://www.earthislandbooks.com)
Keywords: Killswitch Engage, Kreator, Life of Agony, Malevolent Creation, Megadeth, Meshuggah, Misfits, Municipal Waste, Napalm Death, Nasty Savage, Nuclear Assault, Obituary, Onslaught, Overkill, Power Trip, Prong, S.O.D., Sacred Reich, Sacrilege, Sepultura, Sheer Terror, Sick Of It All, Six Feet Under, Slayer, Sodom, Strife, Suffocation, Terror, Testament, Therapy?, Toxic Holocaust, Trivium, Vital Remains, Warzone, Witchery
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Kahn-Harris, K. (2020). Engaging with absence: Why is the Holocaust a ”problem” for metal? Metal Music Studies, 6(3), 395–414.
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Kopanski, R. (2020). ”Auschwitz awaits”: Different readings on Sabaton’s ”The Final Solution” (2010) and the question of irony. Metal Music Studies, 6(3), 337–357.
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Langebach, M., & Schulze, C. (2020). Affirmation and denial: Extreme right black metal and the Holocaust. Metal Music Studies, 6(3), 375–393.
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Stratton, J. (2020). KISS: Jewishness, hard rock and the Holocaust. Metal Music Studies, 6(3), 277–297.
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Williams, D. (2020). Embodying the Auschwitz ”Sonderkommando” in extreme metal. Metal Music Studies, 6(3), 319–336.
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