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Algora, A. F. (2019). Filosofía e historia del pensamiento en el heavy metal y músicas afines. Una aproximación. In F. Galicia Poblet (Ed.), Heavy y metal, a través del cristal. Nuevas perspectivas culturales (pp. 29–52). Madrid: Apache Libros.
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Dalinger, J. (2021). Reivindicación de los derechos humanos a partir del heavy metal. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 73–77). Buenos Aires: Clara Beter Ediciones.
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de Alcântara, M. O. (2021). Anarchopunk e tecnologias sociais de resistência: antirracismo e subversão da branquitude na música do grupo Aus Rotten. In R. Barchi (Ed.), Diálogos com a música extrema (pp. 121–152). Porto Alegre: editorafi.org.
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González Martínez, S. (2026). Feminist Metal Music: Learning from the Underground. New York: Bloomsbury.
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Hill, R. L. (2013). Representations and Experiences of Women Hard Rock and Metal Fans in the Imaginary Community. Ph.D. thesis, University of York, York, England.
Abstract: This thesis questions dominant representations of women hard rock and metal
fans, and contributes to the undeveloped area of scholarship on women’s
pleasure in music. I address the questions: how does the metal media represent women fans?; what is the impact of that representation?; and what can a consideration of women’s musical pleasure tell us? I work within the fields of popular music, subcultures, gender and metal studies and build upon feminist studies of rock music (e.g., Schippers 2002, Fast 1999 and Wise 1984).
The research sits alongside feminist work exploring the pleasures of metal (Overell 2010, Riches 2011), and Brown’s work on metal media (2007, 2009). A new framework, the imaginary community, allows a consideration of the gendered ideology of the genre and takes into account private modes of fandom. To establish the ideology I examined letters pages in a key hard rock and metal medium, Kerrang! magazine, between 2000-8.
Drawing on Barthes’ Mythologies (1957), I employed a semiotic analysis to expose the representation of women through myths. Using this representation as a comparative tool, I conducted interviews with women fans who liked bands featured in Kerrang!. I analysed the discourses mobilised in their responses to questions about their participation in communal and private activities (e.g. magazine reading, concert attendance); their interpretations of the groupie stereotype; and their preferences for particular bands. I argue that women fans are misrepresented as groupies and this impacts upon women’s ability to express their fandom. Considering women’s pleasure in the music draws out the ways in which women’s fandom challenges both the myth of the woman fan as groupie, and the reading of metal as a masculine genre. I conclude that exploring women’s fandom can provide fresh perspectives on hard rock and metal: we must be prepared to take women’s fandom seriously. (Source: PDF of PhD thesis)
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Prozak, S. R. (2012). Heavy Metal FAQ: Introduction to Metal Music and Culture. Dark Legions Archive: Black metal, death metal, grindcore, thrash and heavy metal reviews from the net's original heavy metal site, , 1–91.
Abstract: << Introduction: This periodically posted article introduces heavy metal music and the
heavy metal genre, including the sub-genres of speed metal, death metal, black metal,
thrash, doom metal, grindcore, and ambient metal.
Summary: This FAQ explores the development of heavy metal as a musical movement
through its place in a larger culture, and re ects upon the ideological and sociological circumstances that motivated that development. These circumstances are tracked through
music theory, symbolism, and behavior.
It also explores the subculture of heavy metal music and its members, known as “Hessians,” who listen to the music and attempt to live by the values expressed in the music.
It includes but is not limited to a history of metal music, the philosophy of heavy metal,
the styles and sub-genres of heavy metal, etiquette in the heavy metal groups, where to
nd heavy metal t-shirts and CDs, and the cultural values of the Hessian subculture.
Authorship: The Heavy Metal FAQ was written by metal radio presenter and writer
S.R. Prozak for the Dark Legions Archive at www.anus.com/metal and features contributions from USENET metal experts 1993-1999.
Archive: The current ASCII text copy of this article may be found online at
http://www.anus.com/metal/about/faq >>
SOURCE: PDF of article
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Radovanović, B. (2016). Ideologies and Discourses: Extreme Narratives in Extreme Metal Music. AM Journal of Art and Media Studies, 10, 51–58.
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