| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Gibson, Dylan Lawrence |
Mechanical and artificial “nü-horror metal”: The film music of “Resident Evil” |
2022 |
Metal Music Studies |
8 |
87-108 |
|
|
|
Lukes, Daniel |
Black metal machine: theorizing industrial black metal |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
69-94 |
|
|
|
Manuel, Neyssensas |
Electronic Drums in Industrial Metal and Continuing Practices in Contemporary Metal Music |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
427-442 |
|
|
|
Milazzo, Alex (ed) |
The Book of Industrial & Noise Flyers |
2026 |
|
|
212 |
|
|
|
Rietveld, Hillegonda C.; Monroe, Alexei |
Gabber: Raising hell in technoculture |
2021 |
Metal Music Studies |
7 |
399-421 |
|
|
|
Weinstein, Deena |
Birmingham’s postindustrial metal |
2014 |
Sounds and the City: Popular Music, Place and Globalization |
|
38-54 |
|
