| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Davis, Amanda Blake; Sangster, Matthew |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
2023 |
European Romantic Review |
34 |
291-302 |
|
|
|
Doesburg, Charlotte |
Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics |
2021 |
Metal Music Studies |
7 |
317-333 |
|
|
|
Evangelista Ávila, Iram Isaí |
La recepción borgiana de At the Gates: refiguraciones, intertextualidades y heavy metal |
2021 |
Impossibilia. Revista Internacional de Estudios Literarios |
21 |
237-261 |
|
|
|
Hagen, Katharina |
“If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen |
2021 |
Blake / an Illustrated Quarterly |
54 |
n.p. |
|
|
|
Lajić Mihajlović, Danka; Radovanović, Bojana |
Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia |
2022 |
Metal Music Studies |
8 |
225-243 |
|
|
|
Mora Rioja, Arturo |
“Into the Valley of Death”: A Textual and Musical Analysis of Metal Music’s Adaptation, Appropriation, and Quotation of Poetry in English |
2021 |
|
|
|
|
|
|
Mora-Rioja, Arturo |
Poetry in English and Metal Music. Adaptation and Appropriation Across Media |
2023 |
|
|
|
|
|
|
Vunić, Krešimir |
Milton Goes (Progressive-Power) Metal: Symphony X and Milton’s “Paradise Lost” (Critique and Textual Analysis) |
2021 |
Studia Polensia |
10 |
115-139 |
|
