Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Adamo, Noelia |
“In Black We Are Seen”. Heavy Metal Music in Argentina |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
67-72 |
| Beccassino, Angel |
M-19, el heavy metal latinoamericano |
1989 |
|
|
|
| Calvo, Manuela Belén |
Metal and Politics in Argentina: A Study into the Audienceship Surrounding Ricardo Iorio |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
183-200 |
| Castañeda Maldonado, Mario Efraín |
The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
219-238 |
| Cecchini, Flavio M.; Franzino, Greta H.; Passarotti, Marco C. |
Verba Bestiae: How Latin Conquered Heavy Metal |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
241-261 |
| Céspedes, Oscar |
Maiden Chile: Iron Maiden: una historia de amor y desencuentros, 1992-2016 |
2016 |
|
|
|
| Córdoba, Jesús Antonio; Cuchivague, Karen Ortiz |
Female participation in Colombian metal: An initial approach |
2021 |
Metal Music Studies |
7 |
159-170 |
| Díaz, Nelson Varas |
Coloniality and Resistance in Latin American Metal Music: Death as Experience and Strategy |
2019 |
HIOL: Hispanic Issues On Line |
|
226-251 |
| Epp, André |
Heavy metal as a profession?: The Mexican heavy metal scene and its effects as an informal and non-formal learning space |
2021 |
Metal Music Studies |
7 |
149-158 |
| Faria, Fabio Coura de |
Roots and Routes: The Cultural Politics and Translocality of Hip Hop and Heavy Metal |
2022 |
|
|
|
