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Ebert, K. (2026). Deep Purple’s Black Knight: The Virtuoso Identity of Ritchie Blackmore in defining the riff-driven heavy metal of “In Rock”. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 33–55). Sheffield: Equinox Publishing.
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Fellezs, K. (2026). Taking the Lead: Ritchie Blackmore and Tommy Bolin (re)shape Heavy rock virtuosity. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 133–155). Sheffield: Equinox Publishing.
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Herbst, J. - P. (2026). Martin Birch – Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk2 Albums. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 209–231). Sheffield: Equinox Publishing.
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Lilja, E. (2026). The Tonal Language of Deep Purple Mk2: Riffs, Modes, Chords, and Progressions. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 159–188). Sheffield: Equinox Publishing.
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Poole, S. (2026). “Speed King”: Setting the Paice. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 77–97). Sheffield: Equinox Publishing.
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Stevens, F. (2026). Ian Gillan and the Legacy of the Operatic Voice in Heavy metal: Borrowed Feminine Classical Virtuosity in Metal Masculinity. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 98–119). Sheffield: Equinox Publishing.
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Waksman, S. (2026). Heavy metal on Stage: Deep Purple’s “Made in Japan” and the Production of Arena Rock. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 235–253). Sheffield: Equinox Publishing.
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