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Author  |
Title | Year | Publication | Volume | Pages |
|---|---|---|---|---|---|
| Blessin, Joseph R. | Modalities of the avant-garde: the aesthetic role of light in the parallax of Alexander Scriabin’s opera ”Mysterium” and heavy metal performance | 2010 | The metal void: first gatherings | 301-330 | |
| Jamshid, Jon; Patterson, Dayal | Petrified: Under the Full Moon | 2024 | |||
| Lucas, Olivia R. | Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show | 2021 | Music Theory Online | 27 | s.p. |
| Lucas, Olivia R. | Light Shows as Public, Vernacular Music Theory | 2021 | The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory | s.p. |