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Blessin, J. R. (2010). Modalities of the avant-garde: the aesthetic role of light in the parallax of Alexander Scriabin’s opera ”Mysterium” and heavy metal performance. In N. Scott (Ed.), The metal void: first gatherings (pp. 301–330). Oxford: Inter-Disciplinary Press.
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Jamshid, J., & Patterson, D. (2024). Petrified: Under the Full Moon. Cornwall, United Kingdom: Cult Never Dies.
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Lucas, O. R. (2021). Light Shows as Public, Vernacular Music Theory. In J. D. Jenkins (Ed.), The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory (s.p.). Oxford: Oxford University Press.
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Lucas, O. R. (2021). Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show. Music Theory Online, 27(4), s.p.
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