Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Arenillas Meléndez, Sara |
Negociaciones de la masculinidad en el heavy español de los ochenta |
2021 |
Feminismo/s |
38 |
261-279 |
| Bannister, Matthew |
Joker to the thief: Trickster guitarists in 1970s stadium rock |
2023 |
Metal Music Studies |
2023 |
151-169 |
| Bona, Michelle |
Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture |
2021 |
|
|
|
| Burns, Lori |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
2020 |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
|
196–217 |
| Draut, Easton |
White faces in the dark forest: A discussion surrounding whiteness and hegemonic masculinity in Norwegian black metal |
2023 |
Metal Music Studies |
9 |
293-309 |
| Hoad, Catherine |
Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness” |
2023 |
Rock Music Studies |
t.b.c. |
|
| James, Kieran Edmond; Walsh, Rex John |
Masculinity and underground music scene participation across time: A case study from Indonesia |
2022 |
Metal Music Studies |
8 |
29-46 |
| Jeray, Celina |
Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal |
2021 |
Anglica. An International Journal of English Studies |
30 |
171-190 |
| Nenadalová, Jana; Stašová, Gabriela; Vrzal, Miroslav |
A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences |
2022 |
Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura |
30 |
101-121 |
| Rogers, Anna S.; Deflem, Mathieu |
Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture |
2021 |
|
|
|
