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Arenillas Meléndez, S. (2021). Negociaciones de la masculinidad en el heavy español de los ochenta. Feminismo/s, 38, 261–279.
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Bannister, M. (2023). Joker to the thief: Trickster guitarists in 1970s stadium rock. Metal Music Studies, 2023(2), 151–169.
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Bona, M. (2021). Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture. Master's thesis, Saint Mary's University, Halifax.
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Burns, L. (2020). Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017). In K. A. Hansen, E. Askeroi, & F. Jarman (Eds.), Popular Musicology and Identity: Essays in Honour of Stan Hawkins (196–217). Routledge.
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Draut, E. (2023). White faces in the dark forest: A discussion surrounding whiteness and hegemonic masculinity in Norwegian black metal. Metal Music Studies, 9(3), 293–309.
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Hoad, C. (2016). We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal.3(1), 90–107.
Abstract: "Australia's extreme metal scenes have developed largely in isolation from not only the rest of the world, but also one another. Nonetheless, extreme metal scenes throughout the Australian continent share common sentiments of national identity that allow for the formation of an imagined community across disparate locales. Such nationalistic sentiment, realized through the reiteration of the masculinist master symbols of Australian identity, enables an imagined community to be sustained across extreme metal scenes.
This article explores how music functions as a medium through which communities can be imagined and boundaries between them drawn. Australian extreme metal scenes construct and maintain a sense of nationhood and community in exclusionary, rather than conciliatory ways. The particular experience of belonging offered by Australian extreme metal scenes is hence marked by rigid parameters of what, or who, may constitute “Australianness” in the image of such communion."
(SOURCE: Journal of World Popular Music website)
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Hoad, C. (2023). Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness”. Rock Music Studies, t.b.c..
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James, K. E., & Walsh, R. J. (2022). Masculinity and underground music scene participation across time: A case study from Indonesia. Metal Music Studies, 8(1), 29–46.
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Jeray, C. (2021). Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal. Anglica. An International Journal of English Studies, 30(1), 171–190.
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Nenadalová, J., Stašová, G., & Vrzal, M. (2022). A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences. Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 30, 101–121.
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