| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Annan, Rawan Mohamed |
Satanic panic: Discourse on metal and morality in Lebanese television’ |
2015 |
|
|
|
|
|
|
Anttonen, Salli |
‘Hypocritical bullshit performed through gritted teeth’: Authenticity discourses in Nickelback’s album reviews in Finnish media |
2016 |
Metal Music Studies |
2 |
39-56 |
|
|
|
Aquino Ruiz, Frank |
Radicalizing the Resistance: The Representation of Political Identities in the Heavy Metal Community of Puerto Rico Via the Production of Radio Shows |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
88-94 |
|
|
|
Bayer, Gerd |
Metal documentaries: the national, the global, and the cosmopolitan |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Berkers, Pauwke; Schaap, Julian |
YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers |
2015 |
Metal Music Studies |
1 |
303-318 |
|
|
|
Bernal, Manuel |
Pantallas de un metal nuevo. Comunicación y cultura pesada |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
57-61 |
|
|
|
Boman, Björn |
Masks In Music and Film: Perspectives from the West and East Asia |
2026 |
|
|
VIII, 159 |
|
|
|
Burke, David |
The normalizing hagiography of Ozzy Osbourne |
2026 |
Metal Music Studies |
12 |
361-368 |
|
|
|
Da Silva, Bernard Arthur Silva |
“Familícia”: feminismo e antifascismo da Petals Blade pela sua produção Audiovisual (2019-2021) |
|
Rock e Sociedade |
|
97-121 |
|
|
|
Efthimiou, Charris |
”Was muss man tun, damit es metallen ist?”. Die Medienwissenschaften und die Erweiterung der Metal Studies |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
135-152 |
|
