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Anttonen, S. (2016). ‘Hypocritical bullshit performed through gritted teeth’: Authenticity discourses in Nickelback’s album reviews in Finnish media. Metal Music Studies, 2(1), 39–56.
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Aquino Ruiz, F. (2015). Radicalizing the Resistance: The Representation of Political Identities in the Heavy Metal Community of Puerto Rico Via the Production of Radio Shows. In Modern Heavy Metal: Markets, Practices and Cultures (pp. 88–94). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Bayer, G. (2017). Metal documentaries: the national, the global, and the cosmopolitan. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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Berkers, P., & Schaap, J. (2015). YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers. Metal Music Studies, 1(3), 303–318.
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Bernal, M. (2021). Pantallas de un metal nuevo. Comunicación y cultura pesada. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 57–61). Buenos Aires: Clara Beter Ediciones.
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Boman, B. (2026). Masks In Music and Film: Perspectives from the West and East Asia. London, U.K.: Palgrave Macmillan Cham.
Abstract: "The book is about the multiple meanings and instances of masks (and makeup which seems to have a mask-like function such as in Kiss, many black metal bands, and Insane Clown Posse) within popular culture, specifically films and music. While mainly focusing on the Western contexts, there will also be examples from other regions and cultural contexts such as Japan and Korea.
Each chapter offers an in-depth analysis of a particular work(s) or artist/band rather than just name dropping mainstream and obscure work that many scholars, unfortunately, do. The study in its entirety belongs to cultural studies and the interpretive sciences. The target audience consists of other academic researchers, students and the broader audience of people who are interested in film and music (e.g., fans)."
<< Björn Boman is a researcher in education, political science, cultural studies and psychology, known for his multidisciplinary work which spans several and intersecting disciplines, inclusive of film and music. Apart from a PhD in education from Stockholm University he has carried out postdoctoral work in political science. Currently, he is affiliated with the Department of Political Science at Stockholm University. He has also acquired a master's degree in religious studies and studied the Korean language and culture, as well as, for example, Russian history and politics at Stockholm University. >>
[source: https://link.springer.com/book/10.1007/978-3-032-16978-5]
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Da Silva, B. A. S. “Familícia”: feminismo e antifascismo da Petals Blade pela sua produção Audiovisual (2019-2021). In M. G. Da Silva (Ed.), Rock e Sociedade (pp. 97–121). Foz do Iguaçu: CLAEC.
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Efthimiou, C. (2014). ”Was muss man tun, damit es metallen ist?”. Die Medienwissenschaften und die Erweiterung der Metal Studies. In F. Heesch, & A. - K. Höpflinger (Eds.), Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge (pp. 135–152). Münster: Waxmann Verlag.
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Galicia Poblet, F. (Ed.). (2019). Heavy y metal, a través del cristal. Nuevas perspectivas culturales. Madrid: Apache Libros.
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Griffin, H. (2014). Hair Metal Redux: Gendering Nostalgia and Revising History on VH1. Journal of Popular Film & Television; Washington, 42(2).
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