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Author  |
Title | Year | Publication | Volume | Pages |
|---|---|---|---|---|---|
| Benefield, Adam J. | Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work | 2020 | |||
| Hannan, Calder | Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan | 2018 | Metal Music Studies | 4 | 433-458 |
| Lucas, Olivia R. | “So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen | 2018 | Music Theory Online | 24 | |
| Pieslak, Jonathan | Re-casting Metal: Rhythm and Meter in the Music of Meshuggah | 2007 | Music Theory Spectrum; Oxford | 29 | 219-223,225 |
| Smialek, Eric | Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah’s ”I” and ”Catch Thirtythr33.” | 2009 |