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Benefield, A. J. (2020). Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work. Master's thesis, Stephen F. Austin State University, Nacogdoches.
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Bitoun, J. (2018). Guitars and Heroes: Mythic Guitars and Legendary Musicians. Richmond Hill, Richmond Hill, Ontario, Canada: Firefly Books.
Abstract: "An encyclopedia of more than 100 guitars and the musicians who have mastered them.
Guitars and Heroes is organized by era, from the rockabilly pioneers to the guitar heroes of the future. Each chapter contains portraits of guitarists (past and present) and their favorite instruments. The authoritative text describes the musician's favored guitar or guitars and why they prefer them, often revealing a hidden facet of the musician's artistic approach.
Special photo spreads include The Beatles, The Rolling Stones, Van Halen, Prince, Billie Joe Armstrong, AC/DC, Les Paul, anatomy of a Stratocaster, 5 Replica Guitars; Burst, the world's most expensive guitar; 5 Most Desirable Amplifiers, 5 Pedals That Changed the World, 5 Groundbreaking Sounds, The Chicago Blues in 5 Albums, 5 Essential Hard Rock Albums and 5 Design Gibson Mistakes.
The book is organized into three sections (Birth of an Art, The Golden Age, Modern Times) and nine chapters, each with a selection of artists and their guitars..."
[SOURCE: https://www.fireflybooks.com/BookDetails?Pid=771]
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Glasper, I. Terrorized: The Collected Interviews, Volume Two. East Sussex, UK: Earth Island Books.
Abstract: << Terrorizer was the world’s leading extreme music publication from its launch in 1993 to its untimely demise in 2018. Ian Glasper was one of the few constants during the magazine’s twenty-five year reign of terror, and their main correspondent for punk, hardcore and thrash metal (not to mention the occasional death metal band and other surprises along the way), and here – for the very first time – he has collected every single interview of his that ever ran, and even a few that didn’t. >>
(Source: https://www.earthislandbooks.com)
Keywords: Killswitch Engage, Kreator, Life of Agony, Malevolent Creation, Megadeth, Meshuggah, Misfits, Municipal Waste, Napalm Death, Nasty Savage, Nuclear Assault, Obituary, Onslaught, Overkill, Power Trip, Prong, S.O.D., Sacred Reich, Sacrilege, Sepultura, Sheer Terror, Sick Of It All, Six Feet Under, Slayer, Sodom, Strife, Suffocation, Terror, Testament, Therapy?, Toxic Holocaust, Trivium, Vital Remains, Warzone, Witchery
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Hannan, C. (2018). Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan. Metal Music Studies, 4(3), 433–458.
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Lucas, O. R. (2018). “So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen. Music Theory Online, 24(3).
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Merlini, M. (2023). A second of structured chaos: Kosmos/chaos dialectic in Meshuggah’s “Catch 33”. Metal Music Studies, 9(3), 311–329.
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Pieslak, J. (2007). Re-casting Metal: Rhythm and Meter in the Music of Meshuggah. Music Theory Spectrum; Oxford, 29(2), 219–223,225.
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Smialek, E. (2009). Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah’s ”I” and ”Catch Thirtythr33.”. Ph.D. thesis, McGill University, Montréal.
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