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Bolay, J. (2019). ‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost. Metal Music Studies, 5(1), 5–20.
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Vunić, K. (2021). Milton Goes (Progressive-Power) Metal: Symphony X and Milton’s “Paradise Lost” (Critique and Textual Analysis). Studia Polensia, 10(1), 115–139.
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