Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Akoto, Philip |
”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik |
2005 |
|
|
|
| Akoto, Philip |
”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik |
2005 |
|
|
|
| Arboleda, Juan Camilo |
Narrar o mal para compreender a tragédia na Colômbia: a banda Masacre e a violência |
2016 |
Líbero |
19 |
81-92 |
| Ayoub, Munir Lufte |
O rock progressivo: uma releitura dos mitos nórdicos |
2016 |
Notícias Asgardianas. Boletim do Núcleo de Estudos Vikings e Escandinavos |
11 |
106-116 |
| Baldauf, Thomas |
Die Rezeption altorientalischer Motive in der Heavy Metal Szene |
2011 |
|
|
|
| Bardine, Bryan A. |
Metal and Gothic Literature: Examining the Darker Side of Life (and Death) |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
572-581 |
| Barnett, Brett A. |
Black Sabbath’s pioneering lyrical rhetoric: Tragic structure and cathartic potential in song narratives |
2017 |
Metal Music Studies |
3 |
81-96 |
| Barratt, Claire |
Death Symbolism in Metal Jewellery: Circuits of Consumption from Subculture to the High Street |
2016 |
Global metal music and culture: current directions in metal studies |
|
227-244 |
| Bartosch, Roman (ed) |
Heavy Metal Studies: Lyrics und Intertextualität |
2011 |
|
|
|
| Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
