| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Andrew, Laghos; Panayiotis, Laghos |
Audio recording of rock/metal music using personal computers |
2009 |
Journal of Communication and Computer |
6 |
28-34 |
|
|
|
Berger, Harris M.; Fales, Cornelia |
”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features |
2005 |
Wired for sound: engineering and technologies in sonic cultures |
|
181-197 |
|
|
|
Berkers, Pauwke; Schaap, Julian |
Gender Inequality in Metal Music Production |
2016 |
|
|
|
|
|
|
Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith (eds) |
Global metal music and culture: current directions in metal studies |
2016 |
|
|
|
|
|
|
Herbst, Jan |
Martin Birch – Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk. 2 Albums |
2024 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
t.b.c. |
|
|
|
Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
|
|
|
Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
|
|
|
Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter |
Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives |
2019 |
Metal Music Studies |
5 |
53-69 |
|
