Author  |
Title |
Year |
Publication |
Volume |
Pages |
|
Metal drumming concepts: vital beats, exercises, fills, tips & techniques |
2012 |
|
|
|
|
The stylistic history of heavy metal guitar |
2010 |
|
|
|
| Aledort, Andy |
Thrashing It Out |
1988 |
Guitar for the Practicing Musician |
March |
|
| Anderton, Chris; Burns, Lori |
Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
Introduction |
| Antonieto, Thiago |
O inventor do peso no heavy metal |
2004 |
Cover Guitarra |
120 |
42-50 |
| Armington, Nick; Lofas, Lars |
The Genesis of Metal |
1990 |
Drums and Drumming |
August/September |
21-25; |
| Bechtold, Gernot |
Die Heavy Metal Kultur in bildender Kunst und Musik: Fachwissenschaftliche und fachdidaktische Aspekte |
2008 |
|
|
|
| Benefield, Adam J. |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
2020 |
|
|
|
| Berger, Harris M. |
Metal, rock, and jazz: perception and the phenomenology of musical experience |
1999 |
|
|
|
| Berger, Harris M. |
Death metal tonality and the act of listening |
1999 |
Popular Music |
18 |
161-178 |
