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(2010). The stylistic history of heavy metal guitar. Cherry Lane: Hal Leonard.
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(2012). Metal drumming concepts: vital beats, exercises, fills, tips & techniques. Milwaukee: Hal Leonard.
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Aledort, A. (1988). Thrashing It Out. Guitar for the Practicing Musician, March.
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Anderton, C., & Burns, L. (2025). Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal. In The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 1–14). Routledge Music Handbooks. Oxfordshire, England: Routledge.
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Antonieto, T. (2004). O inventor do peso no heavy metal. Cover Guitarra, 120, 42–50.
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Armington, N., & Lofas, L. (1990). The Genesis of Metal. Drums and Drumming, August/September, 21–25;.
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Bechtold, G. (2008). Die Heavy Metal Kultur in bildender Kunst und Musik: Fachwissenschaftliche und fachdidaktische Aspekte. Saarbrücken: VDM Verl. Dr. Müller.
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Benefield, A. J. (2020). Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work. Master's thesis, Stephen F. Austin State University, Nacogdoches.
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Berger, H. M. (1997). The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer. Ethnomusicology; Champaign, 41(3), 464–488.
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Berger, H. M. (1999). Death metal tonality and the act of listening. Popular Music, 18(2), 161–178.
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