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(2010). The stylistic history of heavy metal guitar. Cherry Lane: Hal Leonard.
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(2012). Metal drumming concepts: vital beats, exercises, fills, tips & techniques. Milwaukee: Hal Leonard.
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Aledort, A. (1988). Thrashing It Out. Guitar for the Practicing Musician, March.
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Anderton, C., & Burns, L. (2025). Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal. In The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 1–14). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
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Antonieto, T. (2004). O inventor do peso no heavy metal. Cover Guitarra, 120, 42–50.
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Armington, N., & Lofas, L. (1990). The Genesis of Metal. Drums and Drumming, August/September, 21–25;.
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Bechtold, G. (2008). Die Heavy Metal Kultur in bildender Kunst und Musik: Fachwissenschaftliche und fachdidaktische Aspekte. Saarbrücken: VDM Verl. Dr. Müller.
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Benefield, A. J. (2020). Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work. Master's thesis, Stephen F. Austin State University, Nacogdoches.
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Berger, H. M. (1997). The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer. Ethnomusicology; Champaign, 41(3), 464–488.
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Berger, H. M. (1999). Death metal tonality and the act of listening. Popular Music, 18(2), 161–178.
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