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Barski, K. S. (2023). Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre]. Świat i Słowo [World and Word], 41(2), 325–345.
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Bartosch, R. (Ed.). (2011). Heavy Metal Studies: Lyrics und Intertextualität. Oberhausen: Schmenk.
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Coggins, O. (2021). Ecology, Estrangement and Enchantment in Black Metal's Dark Haven. Green Letters. Studies in Ecocriticism, t.b.c..
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Helden, I. van. (2011). ”The forest is my throne”. Zur Darstellung und Funktion von Natur in den Lyrics norwegischer Metal-Bands. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 114–123). Oberhausen: Schmenk.
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Helden, I. von. (2017). Norwegian native art: cultural identity in Norwegian metal music. Münster: Lit.
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Paganus, A. (2022). Quando o Diabo veste verde: o vegetarianismo e a natureza ecoando no underground. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 38–74). São Paulo: Pimenta Cultural.
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