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Author  |
Title | Year | Publication | Volume | Pages |
|---|---|---|---|---|---|
| Brizard, Cyril | Le monde du métal symphonique: vers une sociologie de l’oeuvre comme création continuée, l’exemple de Nightwish | 2011 | |||
| Brizard, Cyril | La fusion de la musique metal et de la musique classique. Nightwish et les voix chantées. Une étude de cas | 2006 | Volume! La revue des musiques populaires | 5 | 115-135 |
| Karjalainen, Toni-Matti | Afterword – From a Campfire to the Global Stage: A Conversation with Tuomas Holopainen of Nightwish | 2021 | Made in Finland: studies in popular music | ||
| Karjalainen, Toni-Matti | Ride between Hell and Paradise: Imaginaerum as Mental Anchoring Place for the Global Nightwish Fan Community | 2016 | Heavy Metal Music and the Communal Experience | 59-78 | |
| Ollila, Mape | Once upon a Nightwish: the official biography 1996-2006 | 2008 | |||
| Ollila, Mape | Nightwish | 2006 | |||
| Svetlova, Anna | Moc wyobraźni artysty: film “Imaginaerum” zespołu Nightwish jako narracja transmedialna i “twórcza zdrada” [The power of the artist's imagination: film “Imaginaerum” by Nightwish as a transmedia narrative and “creative betrayal”] | 2020 | Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] | 165-183 | |
| Svetlova, Anna | The poet who failed his best play? Podmiot mówiący w utworach zespołu Nightwish wobec paradygmatu romantycznego [The poet who failed his best play? Speaking subject in the tracks of Nightwish in the face of the romantic paradigm] | 2018 | Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura | 10 |