|
Brizard, C. (2011). Le monde du métal symphonique: vers une sociologie de l’oeuvre comme création continuée, l’exemple de Nightwish. Ph.D. thesis, Université de Grenoble, Grenoble.
|
|
|
Karjalainen, T. - M. (2016). Ride between Hell and Paradise: Imaginaerum as Mental Anchoring Place for the Global Nightwish Fan Community. In N. Varas-Díaz, & N. Scott (Eds.), Heavy Metal Music and the Communal Experience (pp. 59–78). Lanham, Boulder, New York & London: Lexington Books.
|
|
|
Karjalainen, T. - M. (2021). Afterword – From a Campfire to the Global Stage: A Conversation with Tuomas Holopainen of Nightwish. In T. - M. Karjalainen, & K. Kärki (Eds.), Made in Finland: studies in popular music. Routledge.
|
|
|
Ollila, M. (2006). Nightwish. Helsinki: Like.
|
|
|
Ollila, M. (2008). Once upon a Nightwish: the official biography 1996-2006. Brooklyn: Bazillion Points.
|
|
|
Svetlova, A. (2018). The poet who failed his best play? Podmiot mówiący w utworach zespołu Nightwish wobec paradygmatu romantycznego [The poet who failed his best play? Speaking subject in the tracks of Nightwish in the face of the romantic paradigm]. Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura, 10(3).
|
|
|
Svetlova, A. (2020). Moc wyobraźni artysty: film “Imaginaerum” zespołu Nightwish jako narracja transmedialna i “twórcza zdrada” [The power of the artist's imagination: film “Imaginaerum” by Nightwish as a transmedia narrative and “creative betrayal”]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 165–183). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
|
|