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Hagen, R. (2020). “From the Dark Past”: Historiographies of Violence in Norwegian Black Metal. In B. van der Steen, & T. P. F. Verburgh (Eds.), Researching Subcultures, Myth and Memory (pp. 151–170). Cham: Palgrave Macmillancmillan.
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Helden, I. van. (2011). ”The forest is my throne”. Zur Darstellung und Funktion von Natur in den Lyrics norwegischer Metal-Bands. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 114–123). Oberhausen: Schmenk.
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Helden, I. von. (2017). Norwegian native art: cultural identity in Norwegian metal music. Münster: Lit.
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Helden, I. von. (2021). Større enn tid, tyngre enn natt – The Interplay of Language and Cultural Identity in the Lyrics of Norwegian Metal Bands. In R. - L. Valijärvi, C. Doesburg, & A. DiGioia (Eds.), Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. (pp. 49–59). London: Emerald.
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Hoffin, K. (2023). The Norwegian Black Metal Second Wave. In E. Peters (Ed.), (pp. 27–38). Abingdon & New York: Routledge.
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Jones, I. (2013). Black Metal and the Rebirth of the ‘Monstrous’ in Norway. Global Interdisciplinary Research Studies, 3(1), 75–92.
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Lantorová, P. (2017). Raný norský black metal a jeho ideologie : satanismus z perspektivy účastníků druhé vlny black metalu [Early Norwegian black metal and its ideology: Satanism from the view of the participants of the second wave of black metal]. Sacra, 15(2), 50–61.
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Pilo, B. (2018). True Norwegian Black Metal: Nationalism and Authenticity in the Norwegian Black Metal of the ‘90s. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 41–70). Cambridge: Cambridge Scholars Publishing.
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Pilo, B. (2021). Émergence et essor du black metal en Norvège entre 1991 et 1999. Histoire, idéologie, musique. Ph.D. thesis, Université Rennes 2, Rennes.
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Reithaug, E. A. (2022). Skald Av Satans Sol: An exploration of early Norwegian black metal through topic theory. Master's thesis, University of Oslo, Oslo.
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