Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Hagen, Ross |
“From the Dark Past”: Historiographies of Violence in Norwegian Black Metal |
2020 |
Researching Subcultures, Myth and Memory |
|
151-170 |
| Helden, Imke van |
”The forest is my throne”. Zur Darstellung und Funktion von Natur in den Lyrics norwegischer Metal-Bands |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
114-123 |
| Helden, Imke von |
Større enn tid, tyngre enn natt – The Interplay of Language and Cultural Identity in the Lyrics of Norwegian Metal Bands |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
49-59 |
| Helden, Imke von |
Norwegian native art: cultural identity in Norwegian metal music |
2017 |
|
|
|
| Hoffin, Kevin |
The Norwegian Black Metal Second Wave |
2023 |
|
|
27-38 |
| Jones, Ieuan |
Black Metal and the Rebirth of the ‘Monstrous’ in Norway |
2013 |
Global Interdisciplinary Research Studies |
3 |
75-92 |
| Lantorová, Petra |
Raný norský black metal a jeho ideologie : satanismus z perspektivy účastníků druhé vlny black metalu [Early Norwegian black metal and its ideology: Satanism from the view of the participants of the second wave of black metal] |
2017 |
Sacra |
15 |
50-61 |
| Pilo, Baptiste |
Émergence et essor du black metal en Norvège entre 1991 et 1999. Histoire, idéologie, musique |
2021 |
|
|
|
| Pilo, Baptiste |
True Norwegian Black Metal: Nationalism and Authenticity in the Norwegian Black Metal of the ‘90s |
2018 |
Sounds of origin in heavy metal music |
|
41-70 |
| Reithaug, Eirik Albrethsen |
Skald Av Satans Sol: An exploration of early Norwegian black metal through topic theory |
2022 |
|
|
|
