|
Bäumer, U. (1984). Wir wollen nur deine Seele: Rockszene und Okkultismus: Daten, Fakten, Hintergründe. Wuppertal: CLV Christl. Literatur-Verbreitung e.V.
|
|
|
Farley, H. (2009). Demons, devils, and witches: the occult in heavy metal music. In G. Bayer (Ed.), Heavy metal music in Britain (pp. 73–88). Surrey: Ashgate.
|
|
|
Faulkner, F. (2009). Get your kicks on Route 666, or Why the Devil Has All the Best Tunes: Trekking Through the Darker Side of Heavy Metal Music. In C. Balmain, & L. Drawmer (Eds.), Something Wicked This Way Comes: Essays on Evil and Human Wickedness.. Amsterdam: Rodopi.
|
|
|
Ferris, Á., & Fontanet, N. (2005). Satán 666 y las huestes del Black Metal. Llinars del Vallès: Quarentena Ediciones.
|
|
|
Squires, V. J. (2005). Raising the devil horns: Coven and the Occult’s Influence on the Development of Metal Music. Revenant, 12, 182–200.
|
|
|
Tandecki, D. (2000). NACHTSAITEN DER MUSIK. Grauzonen und Braunzonen in der schwarzen Musikszene. Konrad Adenauer Stiftung.
|
|
|
Trostle, L. C. (1986). Nihilistic Adolescents, Heavy Metal Rock Music, and Paranormal Beliefs. Psychological Reports, 59(2), 610.
|
|