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Hudson, S. (2015). Metal Movements: Headbanging As A Legacy Of African American Dance. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 445–453). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Netherton, J. (2015). Extremity Reframed: Exhuming Death Metal’S Analog Origins. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 309–318). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Rodkiewicz, M. (2020). Hand of Doom. Pozabluesowe źródła metalowego paradygmatu [Hand of Doom. Non-blues sources of the metal paradigm]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 134–145). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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Ryynänen, T., & Heinonen, V. (2015). Digging The Roots Of Modern Heavy Metal: Rockers And Mods As Music Related Subcultures Of Consumption. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 337–346). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Weinstein, D. (2014). Just so stories: how heavy metal got its name—A cautionary tale. Rock Music Studies, 1(1), 36–51.
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