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Elflein, D. (2026). Flight of the Riff: Distinguishing Hard Rock and Metal in the Seminal Styles of Deep Purple, Led Zeppelin, Uriah Heep, and Black Sabbath. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 189–209). Sheffield: Equinox Publishing.
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Hudson, S. (2015). Metal Movements: Headbanging As A Legacy Of African American Dance. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 445–453). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Netherton, J. (2015). Extremity Reframed: Exhuming Death Metal’S Analog Origins. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 309–318). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Rodkiewicz, M. (2020). Hand of Doom. Pozabluesowe źródła metalowego paradygmatu [Hand of Doom. Non-blues sources of the metal paradigm]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 134–145). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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Ryynänen, T., & Heinonen, V. (2015). Digging The Roots Of Modern Heavy Metal: Rockers And Mods As Music Related Subcultures Of Consumption. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 337–346). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Weinstein, D. (2014). Just so stories: how heavy metal got its name—A cautionary tale. Rock Music Studies, 1(1), 36–51.
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