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Banchs, E. (2024). When the Steel City paused: Pittsburgh’s metal scene confronts COVID-19. Metal Music Studies, 2(2), 91–103.
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Checa García, F. (2022). USO DE LAS REDES SOCIALES POR LAS BANDAS DE HEAVY METAL DURANTE LA PANDEMIA. Metal de Habla Hispana, 1, 30–37.
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Fulya Çelikel, H. (2024). A post-pandemic survey of the Istanbul metal scene: Dorock and tribute bands. Metal Music Studies, 10(2), 155–164.
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Hennion, M. (2024). Tepid splashes and mighty typhoons: Examining 70000 Tons of Metal’s (post) pandemic proxemics. Metal Music Studies, 10(2), 123–144.
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Möller, L. “Loads of love to all the Roadburn family”. Gemeinschaftsbildung auf einem virtuellen Festival während der Covid-19-Pandemie. In A. Görgen, T. Eichinger, & E. Pfister (Eds.), Superspreader – Popkultur und mediale Diskurse im Angesicht der Pandemie (pp. 277–290). Bielefeld: Transcript.
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Radovanović, B. (2024). “Surrender is not an option”: Answers of the Serbian metal scene to the COVID-19 crisis. Metal Music Studies, 10(2), 105–121.
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Thibodeau, A. J., & Bond, S. (2023). “A Whole New Type of Isolation”: Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020–2021. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 91–112). London: Lexington Books.
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