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Bannister, M. (2023). Joker to the thief: Trickster guitarists in 1970s stadium rock. Metal Music Studies, 2023(2), 151–169.
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Barron, L. (2024). Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth. Fashion, Style & Popular Culture, Online first.
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Beya, S. (2020). Six feet three of Cheekbones, vanity and attitude: A discourse analysis of the construction of gender in the performance of metal music. Master's thesis, Umeå University, Umeå.
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Campoy, L. C. (2022). As revelações da escuridão: o show no underground do heavy metal extremo como um ritual. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 203–221). São Paulo: Pimenta Cultural.
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Eves, N. (2024). Performing Reparative Craft: Oreet Ashery’s “Passing through Metal”. Textile. Cloth and Culture, 22(3), 571–585.
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Gac, D. (2016). Zabawa czy rytuał? Miejsce black metalu w świecie performansu. In J. Osiński, M. Pranke, & P. Tański (Eds.), Kultura rocka 2. Słowo, dźwięk, performance (2) (pp. 94–104). Toruń: ProLog.
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Gac, D. (2019). Zabawa czy rytuał? Miejsce black metalu w świecie performansu. In J. Osiński, M. Pranke, & P. Tański (Eds.), Kultura rocka 2. Słowo, dźwięk, performance (pp. 311–320). Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika.
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Granados Sevilla, A. E. (2025). Public revolutionaries, private conservatives: rock performances of leftist political thought. Popular Music, 44(2), 1–16.
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Herbst, J. - P. (2021). Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers. Metal Music Studies, 7(3), 445–467.
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Herbst, J. - P. (Ed.). (2023). The Cambridge Companion to Metal Music. Cambridge Companions to Music. Cambridge, England: Cambridge University Press.
Abstract: “Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com).
“Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/).
Collection: The Cambridge Companions to Music.
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