|
|
Arriola, G., & Trujillo, J. (2023). Revelations of Doom: Rise and Sustainability of the Peruvian Metal Scene in a Subnational Level. In J. I. López Ramírez Gastón (Ed.), Passport to Hell. Critical Studies on Peruvian Metal. Lanham: Lexington Books.
|
|
|
|
De Souza, J. (2023). Cobra and Blizzard Hunter Encounters and Mis-encounters of a Return to the Past: Between the Resurgence of Heavy Metal in Lima Peru in the First Decade of the Two Thousand and the Academization of the Teaching of Metal. In J. I. López Ramírez Gastón (Ed.), Passport to Hell. Critical Studies on Peruvian Metal. Lanham: Lexington Books.
|
|
|
|
Gómez Garay, L. ́a de F. ́tima. (2023). Rethinking Metal & Globalization: The Lima Metal Scene as a Case Study. In J. I. López Ramírez Gastón (Ed.), Passport to Hell. Critical Studies on Peruvian Metal. Lanham: Lexington Books.
|
|
|
|
López Ramírez Gastón, J. I. (2023). Is This Really Us? Translocality, Representation, and Social Functionality of a Peruvian Metal at the Margins of the Periphery. In Passport to Hell. Critical Studies on Peruvian Metal. Lanham: Lexington Books.
|
|
|
|
López Ramírez Gastón, J. I. (Ed.). (2023). Passport to Hell. Critical Studies on Peruvian Metal. Lanham: Lexington Books.
|
|
|
|
Monterroso, C. G. (2023). The Construction of an Apolitical Position for Metal and its Meaning in the Manifestos of the Gran Horda Metallica del Perú. In J. I. López Ramírez Gastón (Ed.), Passport to Hell. Critical Studies on Peruvian Metal. Lanham: Lexington Books.
|
|
|
|
Olavarría Ginocchio, R. (2023). Expanding the Notion of National Music: The Case of the Album Testimonios by the Peruvian Metal Group Kranium. In J. I. López Ramírez Gastón (Ed.), Passport to Hell. Critical Studies on Peruvian Metal. Lanham: Lexington Books.
|
|
|
|
Uriarte Trancon, C. (2023). The Chakal Sound: Discourses of Authenticity in the Musical Production of Peruvian Extreme Metal (1988-2000). In J. I. López Ramírez Gastón (Ed.), Passport to Hell. Critical Studies on Peruvian Metal. Lanham: Lexington Books.
|
|
