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Åshede, L., & Foka, A. (2019). Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 97–114). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Avelar, I. (2011). Otherwise national: locality and power in the art of Sepultura. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 135–160). Durham: Duke University Press.
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Barajas, J. E. (2021). Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal.. Bogotá: Corporación Universitaria Minuto de Dios.
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dos Santos Silva, M. A., & Medeiros, B. (). “This gave me a Mastodong”: A decolonial analysis of the Black twerking dancers in Mastodon’s The Motherload music video. European Journal of Cultural Studies, OnlineFirst.
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Elflein, D. (2011). Die virtuose Kontrolle der (Ohn-)Macht –Gedanken zur musikalischen Ästhetik des Heavy Metal. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 169–181). Münster: Lit.
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Gamble, S. (2021). How Music Empowers: Listening to Modern Rap and Metal. Abingdon & New York; New York: Routledge.
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Gascot-Hernández, B. J. (2015). Power In Heavy Metal: A Positive Evaluation. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 95–102). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Glasper, I. Terrorized: The Collected Interviews, Volume Two. East Sussex, UK: Earth Island Books.
Abstract: << Terrorizer was the world’s leading extreme music publication from its launch in 1993 to its untimely demise in 2018. Ian Glasper was one of the few constants during the magazine’s twenty-five year reign of terror, and their main correspondent for punk, hardcore and thrash metal (not to mention the occasional death metal band and other surprises along the way), and here – for the very first time – he has collected every single interview of his that ever ran, and even a few that didn’t. >>
(Source: https://www.earthislandbooks.com)
Keywords: Killswitch Engage, Kreator, Life of Agony, Malevolent Creation, Megadeth, Meshuggah, Misfits, Municipal Waste, Napalm Death, Nasty Savage, Nuclear Assault, Obituary, Onslaught, Overkill, Power Trip, Prong, S.O.D., Sacred Reich, Sacrilege, Sepultura, Sheer Terror, Sick Of It All, Six Feet Under, Slayer, Sodom, Strife, Suffocation, Terror, Testament, Therapy?, Toxic Holocaust, Trivium, Vital Remains, Warzone, Witchery
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Harrison, J. (2023). The applicability of different subculture theories to the Istanbul metal scene in the early twenty-first century. Metal Music Studies, 9(3), 335–341.
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Herbst, J. - P. (2019). The formation of the West German power metal scene and the question of a ‘Teutonic’ sound. Metal Music Studies, 5(2), 201–223.
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