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Andrew, L., & Panayiotis, L. (2009). Audio recording of rock/metal music using personal computers. Journal of Communication and Computer, 6(3), 28–34.
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Barratt-Peacock, R., & Herbst, J. - P. (2025). The effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach. Metal Music Studies, 11(1), 65–89.
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Berger, H. M., & Fales, C. (2005). ”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features. In P. D. Greene, & T. Porcello (Eds.), Wired for sound: engineering and technologies in sonic cultures (pp. 181–197). Middletown: Wesleyan University Press.
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Berkers, P., & Schaap, J. (2016). Gender Inequality in Metal Music Production. London: Emerald.
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Brown, A. R., Spracklen, K., Scott, N. W. R., & Kahn-Harris, K. (Eds.). (2016). Global metal music and culture: current directions in metal studies. New York & London: Routledge.
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Burns, L., & Scotto, C. (2025). Introduction: Appreciating, Understanding, and Interpreting Metal Music Composition. In The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 1–10). Abingdon; New York: Routledge.
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Burns, L., & Scotto, C. (2025). The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production.
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Flaherty, E. (2025). The three worlds of heavy metal: Inequality and the political economy of metal music. Metal Music Studies, 11(1), 43–64.
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Gamble, S., & Kennedy, L. (2025). Fragmented and Distributed Production Practices in 21st Century Metal Music: From the Studio to the Bedroom (and Back Again?). In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 411–426). Abingdon; New York: Routledge.
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Hemery, D. (2025). Black Metal and the Sonic Search for Nature. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 456–468). Abingdon; New York: Routledge.
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