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Aquino Ruiz, F. (2015). Radicalizing the Resistance: The Representation of Political Identities in the Heavy Metal Community of Puerto Rico Via the Production of Radio Shows. In Modern Heavy Metal: Markets, Practices and Cultures (pp. 88–94). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Rivera-Segarra, E., Varas-Díaz, N., Mendoza, S., & Díaz, X. (2018). Ancestral morbid fascinations: Reformulating local culture through metal music in Puerto Rico. Metal Music Studies, 4(1), 175–186.
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Rivera-Segarra, E., Varas-Díaz, N., Mendoza, S., & Díaz, X. (2018). Morbo ancestral: Reformulando la cultural local a través de la música metal en Puerto Rico. Metal Music Studies, 4(1), 165–174.
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Varas-Díaz, N. (2016). Metal at the Fringe: A Historical Perspective on Puerto Rico’s Underground Metal Scene. In G. Riches, D. Snell, B. Bardine, & B. G. Walter (Eds.), Heavy Metal Studies and Popular Culture. New York: Palgrave Macmillan UK.
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Varas-Díaz, N., & Mendoza, S. (2015). Ethnicity, Politics And Otherness In Caribbean Heavy Metal Music: Experiences From Puerto Rico, Dominican Republic And Cuba. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 291–299). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Varas-Díaz, N., Rivera-Segarra, E., Medina, C. L. R., Mendoza, S., & González-Sepúlveda, O. (2014). Predictors of communal formation in a small heavy metal scene: Puerto Rico as a case study. Metal Music Studies, 1(1), 87–103.
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Varas-Díaz, N., Rivera-Segarra, E., Mendoza, S., & González-Sepúlveda, O. (2014). On your knees and pray! The role of religion in the development of a metal scene in the Caribbean island of Puerto Rico. International Journal of Community Music, 7(2), 243–257.
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