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Abbey, E. J., & Helb, C. (Eds.). (2014). Hardcore, punk, and other junk: aggressive sounds in contemporary music. Lanham: Lexington Books.
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Aguilar Miranda, J. N. (2023). Identidad y estética punk en Cochabamba. Perspectivas y Resistencias Musicales, 1(1), 169–198.
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Aguilar Mirandas, J. N. (2024). La presencia de las chicas en la escena hardcore punk cochabambino. In M. Saavedra, & R. Tapia (Eds.), La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano (pp. 209–226). Special Issue of Perspectivas y Resistencias Musicales 2 (2).
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Berger, G. (2009). The Story of Crass. (320). Binghamton, New York: PM Press.
Abstract: << Crass was the anarcho-punk face of a revolutionary movement founded by radical thinkers and artists Penny Rimbaud, Gee Vaucher, and Steve Ignorant. When punk ruled the waves, Crass waived the rules and took it further, putting out their own records, films, and magazines and setting up a series of situationist pranks that were dutifully covered by the world’s press. Not just another iconoclastic band, Crass was a musical, social, and political phenomenon.
Commune dwellers who were rarely photographed and remained contemptuous of conventional pop stardom; their members explored and finally exhausted the possibilities of punk-led anarchy. They have at last collaborated on telling the whole Crass story, giving access to many never-before-seen photos and interviews. >>
(SOURCE: https://pmpress.org/index.php?l=product_detail&p=101)
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Cundle, T. (2022). Mass Movement: The Digital Years, Vol. Two. East Sussex, UK: Earth Island Books.
Abstract: << Mass Movement: The Digital Years, Volume 2 is the second half of a beautiful and comprehensive two book collection. A compilation of the best interviews and features from the second half of Mass Movement’s digital period.
Some of you have probably seen a lot of it before, but we're willing to bet that for the majority of you, this is the first time that you’ve seen most, if not all, of this content. And you know what? It’s good. It’s really good and whilst Tim is happy, well as happy as a miserable old bugger like he can be, that this content is finally available again, what he's genuinely thrilled about is that it shows how varied Mass Movement Magazine was.
This collection includes interviews [and] captures the spirit and essence of everything Mass Movement was, is and always will be. This hefty book ships with additional goodies and will give you plenty to read, either from cover to cover or dipping in and out. Published worldwide 26th March 2021 and can be ordered locally within your own country on amazon or from your local book store. >>
(Source: https://www.earthislandbooks.com)
Keywords: Crust punk, Hardcore punk, Melodic hardcore, Metalcore, Thrash metal, Thrashcore, UK82, Acid Reign, Agnostic Front, Bad Religion, Burn, English Dogs, Kill Your Idols, Lagwagon, Shai Hulud, Snuff, Voorhees, Youth Of Today, Metal Blade, Revelation Records
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de Alcântara, M. O. (2022). Mídia, violência e subjetivação: uma abordagem discursiva das representações do punk no Correio Braziliense. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 267–297). São Paulo: Pimenta Cultural.
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Dinali, W. (2021). (ENTRE) Educações: crust punk, arte de viver e e e... In R. Barchi (Ed.), Diálogos com a música extrema (pp. 264–284). Porto Alegre: editorafi.org.
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Dinali, W. (2022). Uma aliança: a morte... ...uma bricolagem morte/vida/vida/morte e e e. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 381–393). São Paulo: Pimenta Cultural.
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Dyer, R. (2026). The Underground in China: Metal, Punk, Hardcore and Noise 2013-2021. Ticehurst, East Sussex, UK: Earth Island Books.
Abstract: << 'The Underground in China' brings together more than 350 pages of photography, interviews, and first-hand observations from inside a thriving alternative music scene that rarely reaches Western audiences.
About the book:
In 2013, Ryan Dyer arrived in China with little idea of what lay beneath the surface of its music scene. Within a week, he found himself at an underground show featuring the band Rectal Wench. That night opened the door to a world few outsiders ever see.
Over the next eight years, Dyer travelled across Beijing, Tianjin, Suzhou, and Shanghai, documenting the country’s explosive punk and metal underground. Armed with a camera and a journalist’s curiosity, he attended hundreds of shows, capturing bands that express what it means to be an artist in modern China.
The Underground in China: Metal, Punk, Hardcore and Noise 2013–2021 brings together more than 350 pages of photography, interviews, and first-hand observations from inside this thriving scene. Featuring over 100 bands across genres including grindcore, black metal, hardcore punk, noise, and experimental music, the book offers a rare glimpse into a creative community that seldom reaches Western audiences.
FEATURING OVER 100 BANDS INCLUDING: The Dark Prison Massacre, Nine Treasures, Torturing Nurse, Frozen Moon, Scare the Children, Rectal Wench, Impure Injection, Suffocated, Dreamspirit, Ritual Day, Black Kirin, Gum Bleed, Dummy Toys and more!
Part photo archive, part cultural document, this is the story of China’s underground as it was lived—loud, chaotic, and defiantly alive.
About the author:
Ryan Dyer is a graduate from the University of Calgary, obtaining a degree in Communications and Media Studies. He has written for the publications MetalSucks, Metal Injection, Rue Morgue magazine, Absolute Underground magazine, New Noise magazine, Neocha and others.>>
[Source: https://www.earthislandbooks.com/product-page/the-underground-in-china-metal-punk-hardcore-and-noise-2013-2021-by-ryan-dyer]
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Flanagan, H. (2016). Hard-Core: Life of My Own. Port Townsend, Washington: Feral House.
Abstract: <<Harley Flanagan provides a fascinating memoir: a child prodigy and family friend of Andy Warhol and Allen Ginsberg, at a young age he became close to many stars of the early punk rock scene like Joe Strummer of The Clash and was taught to play bass by members of the famed black punk band Bad Brains. He started playing drums for the New York punk band the Stimulators when he was 11 years old; playing at places like Max's Kansas City with some of the most notable names of the punk scene. He then went on to start the notorious hardcore band Cro-Mags.
From the memoir's introduction by American Hardcore's Steven Blush: “Harley Flanagan is not like you or me. Most of us grew up in relative safety and security. Harley came up like a feral animal, fending for himself in the '70s Lower East Side jungle of crime, drugs, abuse and poverty. By age 10 he was a downtown star at Max's Kansas City and CBGB, drumming in his aunt's punk band The Stimulators, and socializing with Blondie's Debbie Harry and Cleveland's Dead Boys. Everyone thought it was so cute, but it wasn't.”
Currently a black belt and an instructor for the famed Renzo Gracie Jiu-Jitsu Academy in New York, Harley was never shy: making friends with important figures like Lemmy Kilmister of Motörhead, defending himself in street battles, and finding media play and court battles after former band members betrayed their one-time friend and bandmate.
Of his much anticipated memoir, famed author and celebrity chef Anthony Bourdain explains: “Don't even pretend to talk about New York... if you don't read this.” “This book is the punch in the face you want and need.”>>
[SOURCE: https://www.amazon.com/Hard-Core-Life-Own-Harley-Flanagan/dp/1627310339]
Steven Blush wrote the book's introduction. He “is an American author, journalist, and filmmaker known for his book American Hardcore and its documentary film adaptation. He founded Seconds magazine and has written about music and popular culture for publications including Spin, Kerrang!, and The Village Voice. His work focuses primarily on punk and hardcore music.”
(SOURCE: https://en.wikipedia.org/wiki/Steven_Blush)
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