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Abbey, E. J., & Helb, C. (Eds.). (2014). Hardcore, punk, and other junk: aggressive sounds in contemporary music. Lanham: Lexington Books.
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Aguilar Miranda, J. N. (2023). Identidad y estética punk en Cochabamba. Perspectivas y Resistencias Musicales, 1(1), 169–198.
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Aguilar Mirandas, J. N. (2024). La presencia de las chicas en la escena hardcore punk cochabambino. In M. Saavedra, & R. Tapia (Eds.), La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano (pp. 209–226). Special Issue of Perspectivas y Resistencias Musicales 2 (2).
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Berger, G. (2009). The Story of Crass. (320). Binghamton, New York: PM Press.
Abstract: << Crass was the anarcho-punk face of a revolutionary movement founded by radical thinkers and artists Penny Rimbaud, Gee Vaucher, and Steve Ignorant. When punk ruled the waves, Crass waived the rules and took it further, putting out their own records, films, and magazines and setting up a series of situationist pranks that were dutifully covered by the world’s press. Not just another iconoclastic band, Crass was a musical, social, and political phenomenon.
Commune dwellers who were rarely photographed and remained contemptuous of conventional pop stardom; their members explored and finally exhausted the possibilities of punk-led anarchy. They have at last collaborated on telling the whole Crass story, giving access to many never-before-seen photos and interviews. >>
(SOURCE: https://pmpress.org/index.php?l=product_detail&p=101)
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Cundle, T. (2022). Mass Movement: The Digital Years, Vol. Two. East Sussex, UK: Earth Island Books.
Abstract: << Mass Movement: The Digital Years, Volume 2 is the second half of a beautiful and comprehensive two book collection. A compilation of the best interviews and features from the second half of Mass Movement’s digital period.
Some of you have probably seen a lot of it before, but we're willing to bet that for the majority of you, this is the first time that you’ve seen most, if not all, of this content. And you know what? It’s good. It’s really good and whilst Tim is happy, well as happy as a miserable old bugger like he can be, that this content is finally available again, what he's genuinely thrilled about is that it shows how varied Mass Movement Magazine was.
This collection includes interviews [and] captures the spirit and essence of everything Mass Movement was, is and always will be. This hefty book ships with additional goodies and will give you plenty to read, either from cover to cover or dipping in and out. Published worldwide 26th March 2021 and can be ordered locally within your own country on amazon or from your local book store. >>
(Source: https://www.earthislandbooks.com)
Keywords: Crust punk, Hardcore punk, Melodic hardcore, Metalcore, Thrash metal, Thrashcore, UK82, Acid Reign, Agnostic Front, Bad Religion, Burn, English Dogs, Kill Your Idols, Lagwagon, Shai Hulud, Snuff, Voorhees, Youth Of Today, Metal Blade, Revelation Records
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de Alcântara, M. O. (2022). Mídia, violência e subjetivação: uma abordagem discursiva das representações do punk no Correio Braziliense. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 267–297). São Paulo: Pimenta Cultural.
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Dinali, W. (2021). (ENTRE) Educações: crust punk, arte de viver e e e... In R. Barchi (Ed.), Diálogos com a música extrema (pp. 264–284). Porto Alegre: editorafi.org.
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Dinali, W. (2022). Uma aliança: a morte... ...uma bricolagem morte/vida/vida/morte e e e. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 381–393). São Paulo: Pimenta Cultural.
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Dyer, R. (2026). The Underground in China: Metal, Punk, Hardcore and Noise 2013-2021. Ticehurst, East Sussex, UK: Earth Island Books.
Abstract: << 'The Underground in China' brings together more than 350 pages of photography, interviews, and first-hand observations from inside a thriving alternative music scene that rarely reaches Western audiences.
About the book:
In 2013, Ryan Dyer arrived in China with little idea of what lay beneath the surface of its music scene. Within a week, he found himself at an underground show featuring the band Rectal Wench. That night opened the door to a world few outsiders ever see.
Over the next eight years, Dyer travelled across Beijing, Tianjin, Suzhou, and Shanghai, documenting the country’s explosive punk and metal underground. Armed with a camera and a journalist’s curiosity, he attended hundreds of shows, capturing bands that express what it means to be an artist in modern China.
The Underground in China: Metal, Punk, Hardcore and Noise 2013–2021 brings together more than 350 pages of photography, interviews, and first-hand observations from inside this thriving scene. Featuring over 100 bands across genres including grindcore, black metal, hardcore punk, noise, and experimental music, the book offers a rare glimpse into a creative community that seldom reaches Western audiences.
FEATURING OVER 100 BANDS INCLUDING: The Dark Prison Massacre, Nine Treasures, Torturing Nurse, Frozen Moon, Scare the Children, Rectal Wench, Impure Injection, Suffocated, Dreamspirit, Ritual Day, Black Kirin, Gum Bleed, Dummy Toys and more!
Part photo archive, part cultural document, this is the story of China’s underground as it was lived—loud, chaotic, and defiantly alive.
About the author:
Ryan Dyer is a graduate from the University of Calgary, obtaining a degree in Communications and Media Studies. He has written for the publications MetalSucks, Metal Injection, Rue Morgue magazine, Absolute Underground magazine, New Noise magazine, Neocha and others.>>
[Source: https://www.earthislandbooks.com/product-page/the-underground-in-china-metal-punk-hardcore-and-noise-2013-2021-by-ryan-dyer]
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Eisenhuth, K. (2022). Mapping Punk Music and Its Relative Subgenres. Ph.D. thesis, University of Southern California, Los Angeles.
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