| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Clifford-Napoleone, Amber R. |
Queerness in heavy metal music: metal bent |
2017 |
|
|
|
|
|
|
Clifford-Napoleone, Amber R. |
Metal, Masculinity, and the Queer Subject |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
39-54 |
|
|
|
Clifford-Napoleone, Amber R. |
Queerness in Heavy Metal Music: Metal Bent |
2015 |
|
|
|
|
|
|
Dawes, Laina |
Challenging an ‘Imagined Community’: Discussions (or lack thereof) of black and queer experiences within heavy metal culture |
2015 |
Metal Music Studies |
1 |
385-393 |
|
|
|
Dillon, Adam Shay |
Transgender transgression: An examination of the experiences of transgender and non-binary performers in Meanjin/Brisbane’s metal music scene |
2026 |
Metal Music Studies |
12 |
109-125 |
|
|
|
Eves, Natasha |
Performing Reparative Craft: Oreet Ashery’s “Passing through Metal” |
2024 |
Textile. Cloth and Culture |
22 |
571-585 |
|
|
|
Kahn-Harris, Keith |
”Coming Out”: Realising the Possibilities of Metal |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
26-38 |
|
|
|
Mechelinck, Gaëlle |
Underground Akkoorden: LGBTQ+ fans in Vlaamse Metal- en Hardrockgemeenschappen [Underground Accords: LGBTQIA+ Fans in Flemish Metal and Hard Rock Communities] |
2024 |
|
|
|
|
|
|
Panayotov, Stanimir |
Rainbow corpse paint |
2025 |
Journal for Cultural Research |
30 |
122-140 |
|
|
|
Squires, Vik J. |
“What are you doing at a Hannah Montana concert?”: The Disneyfication of Ozzy Osbourne and a Camp understanding of the Prince of Darkness through 2000s girlhood and queerness |
2026 |
Metal Music Studies |
12 |
317-324 |
|
