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Clifford-Napoleone, A. R. (2015). Queerness in Heavy Metal Music: Metal Bent. New York: Routledge.
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Clifford-Napoleone, A. R. (2016). Metal, Masculinity, and the Queer Subject. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 39–54). New York & London: Routledge.
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Clifford-Napoleone, A. R. (2017). Queerness in heavy metal music: metal bent. New York & London: Routledge.
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Dawes, L. (2015). Challenging an ‘Imagined Community’: Discussions (or lack thereof) of black and queer experiences within heavy metal culture. Metal Music Studies, 1(3), 385–393.
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Eves, N. (2024). Performing Reparative Craft: Oreet Ashery’s “Passing through Metal”. Textile. Cloth and Culture, 22(3), 571–585.
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Kahn-Harris, K. (2016). ”Coming Out”: Realising the Possibilities of Metal. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 26–38). New York & London: Routledge.
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Mechelinck, G. (2024). Underground Akkoorden: LGBTQ+ fans in Vlaamse Metal- en Hardrockgemeenschappen [Underground Accords: LGBTQIA+ Fans in Flemish Metal and Hard Rock Communities]. Master's thesis, Universiteit Gent, Ghent.
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Wright, L. (2015). Transcending The Form, Advancing The Norm: Queer Post-Structuralism In Post-Metal. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 247–256). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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