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Bryson, B. (1996). ”Anything but heavy metal”: Symbolic exclusion and musical dislikes. American Sociological Review; Washington, 61(5), 884.
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Buesnel, R. (2020). National Socialist Black Metal: a case study in the longevity of far-right ideologies in heavy metal subcultures. Patterns of Prejudice, 54(4), 393–408.
Abstract: << National Socialist Black Metal (NSBM) emerged in the early 1990s as a subsidiary genre of the broader black metal movement. NSBM is distinguished by thematic content that promotes Aryan superiority, pagan spirituality and opposes globalization. Buesnel’s article explores the history of the early NSBM movement through an analysis of the bands Graveland (Poland) and Absurd (Germany), which have both played vital roles in the establishment of the NSBM genre. Buesnel highlights the current state of National Socialist ideology within metal subcultures and concludes with observations about the future of far-right extremism in heavy metal. >>
[Source: https://www.tandfonline.com/doi/pdf/10.1080/0031322X.2020.1800987]
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Dawes, L. (2026). Why Don’t We Talk About Racism in Heavy Metal? In P. Pichler, A. - K. Höpflinger, J. Scheller, L. Dawes, & C. Béra (Eds.), Meta/Metal Open Questions in Metal Studies (pp. 148–169). Stuttgart: Kohlhammer.
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de Alcântara, M. O. (2021). Anarchopunk e tecnologias sociais de resistência: antirracismo e subversão da branquitude na música do grupo Aus Rotten. In R. Barchi (Ed.), Diálogos com a música extrema (pp. 121–152). Porto Alegre: editorafi.org.
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García Serrano. Marco Antonio. (2022). PIEL MESTIZA, MÁSCARAS BLANCAS. EL BLACK METAL MEXICANO: PROCESOS DE HIBRIDACIÓN, RACISMO Y BLANQUITUD. Metal de Habla Hispana, 1, 60–66.
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Hoad, C. (2021). Heavy Metal Music, Texts, and Nationhood: (Re)sounding Whiteness.
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Reali, C. E. (2006). Heavy Metal Lyrics as a Form of Social Protest (C. Duran-Aydintug, Ed.). Master's thesis, University of Colorado at Denver, Denver, Colorado.
Abstract: "This mass messaging content analysis study presents several examples of heavy metal lyrics as a form of social protest. The analysis was done by coding using a purposive convenience sample of twenty-four heavy metal songs from fourteen different bands, and spanning eighteen different albums recorded within the last two and a half decades. Furthermore, content analysis for this study was done through the analysis of the lyrical content of the twenty-four songs in relation to four major categories of social protest. These major categories were politics, religion, war, and social problems. The social problems category was divided in six different sections: social violence, media control, drug abuse, materialism, racism, and environmental issues.
The theoretical framework of mass media as a primary site for the construction and dissemination of dominant ideologies, establishes a link with the social protest content in heavy metal lyrics making them a genuine part of the culture industry and one of the principal channels for ideological discourse in contemporary society. After inductively testing the research statement I find that it is consistent with the focus of this study and the theoretical framework presented along with it."
[SOURCE: PDF]
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