| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Anderton, Chris; Burns, Lori |
Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
1-14 |
|
|
|
Biamonte, Nicole; Cain, Jerry |
The Tool Album as Gesamtkunstwerk |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
415-430 |
|
|
|
Burns, Lori |
Kamelot’s Adaptation of Goethe’s Faust: Tragic Subjectivities in Power Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
161-174 |
|
|
|
Coggins, Owen |
“A Maze with Very Minimal Guiding Light, Thematically Slithering Between Worlds”: Black Metal, Progressive Rock, and Ambivalent Constellations of Imagination in Remmirath’s Shambhala Vril Saucers |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
244-256 |
|
|
|
Fejes, János |
“Enuma Elish is Re-written”: A Quantitative Survey of Mesopotamian Mythology’s Reception in Metal Lyrics |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
204-214 |
|
|
|
Girard-Despraulex, Elise |
Storytelling, Narrative, and Coherence in Avatar’s “Feathers and Flesh (In His Own Words)” (2027) |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
315-326 |
|
|
|
Golovin, Aleksandar |
Royal Hunt’s Adaptation of Ray Bradbury’s Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music |
2025 |
|
|
Chapter 12 |
|
|
|
Guibert, Gérôme |
“Good Times, Bad Times”: Hellfest in the days of COVID-19 |
2024 |
Metal Music Studies |
10 |
145-154 |
|
|
|
Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
|
