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Barski, K. S. (2023). Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre]. Świat i Słowo [World and Word], 41(2), 325–345.
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Davis, A. B., & Sangster, M. (2023). “Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal. European Romantic Review, 34(3), 291–302.
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Knox, J. Ashes against the grim: Black metal and the grim rebirth of Romanticism. In J. Rovira (Ed.), Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms (pp. 235–258). s.l.: Palgrave Macmillan.
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Migeon-Lambert, C. (2021). Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann. In M. Plana, & F. Sounac (Eds.), Identités de l'artiste – Pratiques, représentations, valeurs (pp. 63–82). Dijon: EU de Dijon.
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Mora-Rioja, A. (2024). Religion and ambiguity in The “Marriage of Heaven and Hell” and its metal music afterlives. Metal Music Studies, 10(3), 201–215.
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Svetlova, A. (2018). The poet who failed his best play? Podmiot mówiący w utworach zespołu Nightwish wobec paradygmatu romantycznego [The poet who failed his best play? Speaking subject in the tracks of Nightwish in the face of the romantic paradigm]. Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura, 10(3).
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Teichert, M. (2016). Die Antichristen. Satanistisch-, neugermanische’ Allianzen im Black Metal und ihre Wurzeln in Schwarzer Romantik. Wagnerianismus und (Vulgär-)Nietzscheanismus. In N. Penke, & M. Teichert (Eds.), Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen (pp. 59–74). Baden-Baden: Nomos.
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Thompson, C. (2014). Blasts from the past: The uses of History, Romantic identity, and Norwegian Black Metal. In M. Askander, J. A. Lundin, & J. Söderman (Eds.), Coda : andra antologin om Musik och samhälle. Malmö: Kira.
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