|
|
Alvsvåg, M. (1993). Satan-rock? : destruktive element i tungrocken med særlig vekt på satanisme. Ph.D. thesis, Det Teologiske Menighetsfakultetet, Oslo.
|
|
|
|
Baddeley, G. (1999). Lucifer Rising: sin, devil worship & rock’n’roll. London: Plexus.
|
|
|
|
Bäumer, U. (1984). Wir wollen nur deine Seele: Rockszene und Okkultismus: Daten, Fakten, Hintergründe. Wuppertal: CLV Christl. Literatur-Verbreitung e.V.
|
|
|
|
Billerbeck, L. von, & Nordhausen, F. (1997). Satanskinder: der Mordfall Sandro B. Berlin: Dt. Taschenbuch-Verlag.
|
|
|
|
Bolay, J. (2019). ‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost. Metal Music Studies, 5(1), 5–20.
|
|
|
|
Borge, A. T. (2011). Er det en sammenheng mellom tungrock og satanisme? En kritisk gjennomgang av hovedoppgaven: ”Satan – rock? Destruktive element i tungrocken med særleg vekt på satanisme”. Ph.D. thesis, Det Teologiske Menighetsfakultetet, Oslo.
|
|
|
|
Bujalka, E. (2019). KVLTER than thou: ‘True (Norwegian) black metal’ and the satanic politics of Bataillean ‘authenticity’. Popular Music; Cambridge, 38(3), 518–537.
|
|
|
|
Castillo Bernal, S. (2015). Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México. Colección Etnología y Antropología Social. Mexico: Instituto Nacional de Antropología e Historia.
|
|
|
|
Cordero, J. (2009). Unveiling Satan’s Wrath: Aesthetics and Ideology in Anti-Christian Heavy Metal. Journal of Religion and Popular Culture; Toronto, 21(1), 1–15.
|
|
|
|
Cunningham, C. (2001). La legione nera: black metal e rock ”satanico”. Termoli: Strade blu.
|
|
