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Almer, J., & Ondřej, D. (2018). “666 XXX”: Sexploitation in Czech and Slovak Black Metal and Porno-Gore Grind. Časopis za kritiko znanosti, domišljijo in novo antropologijo (Journal for the Critique of Science, Imagination, and New Anthropology), XLVI(274), 199–214.
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Hill, R. L. (2018). Metal and sexism. Metal Music Studies, 4(2), 265–279.
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Hill, R. L. (2026). Women and Live Music: “Five Quid in or Show Us Your Tits”. In J. H. Shadrack, & F. Stevens (Eds.), Women and Femme Voices in Metal Music, Culture, and Scholarship. Feminist Strategies of Resistance (pp. 34–45). London: Routledge.
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Messick, K. J., Agcaoili, D., Drane, H., & Taylor, H. (2024). Are heavy metal fans sexist? The relationship between metal music depicting misogynistic violence and sexism. Metal Music Studies, 10(1), 41–60.
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Pérez Pelayo, M. (2016). Calm Like a Bomb. Latin American Female Metalheads on Patriarchal Bias and the Potential to Create Safe Spaces. In J. H. Shadrack, & F. Stevens (Eds.), Women and Femme Voices in Metal Music, Culture, and Scholarship. Feminist Strategies of Resistance (pp. 59–74). London: Routledge.
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Renz, K. (2008). Girls! Girls! Girls. Bitch Magazine: Feminist Response to Pop Culture, 41, 56–58.
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Ryan, J. R. (2008). Horning In. Bitch Magazine: Feminist Response to Pop Culture, 41, 54–56.
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Savigny, H., & Sleight, S. (2015). Postfeminism and heavy metal in the United Kingdom: Sexy or sexist? Metal Music Studies, 1(3), 341–357.
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Sollee, K. (2015). Mining The Motherload: Mastodon’s #twerkgate and sexual objectification in metal. Metal Music Studies, 1(2), 271–277.
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St Lawrence, J. S., & Joyner, D. J. (1991). The Effects of Sexually Violent Rock Music on Males’ Acceptance of Violence Against Women. Psychology of Women Quarterly, 15(1), 49–63.
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