Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Allain, Florence |
Musiques extrêmes, sexe et orientation sexuelle: de 1970 ? nos jours |
2018 |
|
|
|
| Clifford-Napoleone, Amber R. |
Queerness in heavy metal music: metal bent |
2017 |
|
|
|
| Clifford-Napoleone, Amber R. |
Metal, Masculinity, and the Queer Subject |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
39-54 |
| Clifford-Napoleone, Amber R. |
Queerness in Heavy Metal Music: Metal Bent |
2015 |
|
|
|
| Harrison, Thomas |
Decoding Van Halen: Sexual Coding Devices of a Hard Rock Group, 1978-1984 |
2007 |
International Journal of the Humanities |
5 |
115-122 |
| Heesch, Florian; Scott, Niall (eds) |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
2016 |
|
|
|
| Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
| Kahn-Harris, Keith |
”Coming Out”: Realising the Possibilities of Metal |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
26-38 |
| Medina, Javier S. |
Leather, spikes, and chains. The influenec of gay culture in punk, hard rock, and heavy metal music |
2017 |
|
|
|
| Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
