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Dairianathan, E. (2011). Soundscapes in Vedic metal: a perspective from Singapore. Perfect Beat, 12(2), 167–189.
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Dairianathan, E. (2012). Vedic Metal and Urban Soundscapes: A Perspective from Singapore. In L. Koos (Ed.), Hidden Cities: Understanding Urban Popcultures (pp. 197–205). Oxford: Inter-Disciplinary Press.
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Dairianathan, E. (2013). Vedic metal and e-mediated space: a perspective from Singapore. Asian Journal of Communication, 23(4), 348–367.
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Fu Yu Sin, K., & Khiun, L. K. (2016). From folk devils to folk music: tracing the Malay heavy metal scene in Singapore. In G. Bloustien, M. Peters, & S. Luckman (Eds.), Sonic synergies: music, technology and community, identity (pp. 115–123). Aldershot: Ashgate.
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Liew, K. K., & Fu, K. (2006). Conjuring the tropical spectres: heavy metal, cultural politics in Singapore and Malaysia. Inter-Asia Cultural Studies, 7(1), 99–112.
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Wallach, J. (2011). Unleashed in the East: metal music, masculinity, and ”malayness” in Indonesia, Malaysia, and Singapore. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 86–105). Durham: Duke University Press.
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