toggle visibility Search & Display Options

Select All    Deselect All
 | 
Citations
 | 
   print
Benard, C. (2024). Who Listens to “Metal for Girls”? Metal, Orchestra and Female Voices: Measuring the Reception of Symphonic Metal in France, Between Middle Class and Gender. In G. Guibert, & R. Garbaye (Eds.), Musical Scenes and Social Class. Debating Punk and Metal (pp. 211–234). Cham: Palgrave Macmillan.
toggle visibility
Brown, A. R. (2024). Resistance Through Music: Exploring the Role of Class Fraction Appropriations and Alliances in the Subcultural Formation of Heavy Metal, Classic, Post and Present. In R. Garbaye, & G. Guibert (Eds.), Musical Scenes and Social Class. Debating Punk and Metal (pp. 17–41). Cham: Palgrave Macmillan.
toggle visibility
Bryson, B. (1996). ”Anything but heavy metal”: Symbolic exclusion and musical dislikes. American Sociological Review; Washington, 61(5), 884.
toggle visibility
Guibert, G., & Garbaye, R. (2024). Musical Scenes and Social Class: Debating Punk and Metal.. Cham: Palgrave Macmillan.
toggle visibility
Smialek, E. (2024). Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses. In R. Garbaye, & G. Guibert (Eds.), Musical Scenes and Social Class. Debating Punk and Metal (pp. 123–154). Cham: Palgrave Macmillan.
toggle visibility
Select All    Deselect All
 | 
Citations
 | 
   print