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Dekovich, M. (2025). Compound Bridge Sections in Rock and Metal. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 84–108). Abingdon; New York: Routledge.
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Morawitz, O. (2025). Conceived Through an Act of Catharsis: The Phenomenological Allure of the Breakdown. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 124–135). Abingdon; New York: Routledge.
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Muniz, J. (2025). More than Moshing: Structure, Convention, and Innovation in Extreme Metal Breakdowns. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 136–151). Abingdon; New York: Routledge.
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Simonds, Z. (2025). Unfulfilled Expectations: Theorizing on Terminally Anti-Climactic Form. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 109–123). Abingdon; New York: Routledge.
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Stolz, N. (2025). Mutually Exclusive Two- and Three-Part Forms in Heavy Metal Songs. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 69–83). Abingdon; New York: Routledge.
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Strauss, S. (2025). Song of the Siren, Cry of the Warrior: An Exploration of Song Structures and Female Vocal Techniques in Power Metal. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 327–340). Abingdon; New York: Routledge.
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