| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo (eds) |
Música Extrema. Ruídos, imagens e sentidos |
2021 |
|
|
|
|
|
|
Bechtold, Gernot |
Die Heavy Metal Kultur in bildender Kunst und Musik: Fachwissenschaftliche und fachdidaktische Aspekte |
2008 |
|
|
|
|
|
|
Bogue, Ronald |
Becoming Metal, Becoming Death |
2004 |
Deleuze’s Wake: Tributes and Tributaries |
|
83-108 |
|
|
|
Brown, Andy |
Heavy Metal and Subcultural Theory: A Paradigmatic Case of Neglect? |
2003 |
The post-subcultures reader |
|
209-222 |
|
|
|
Cardoso Filho, Jorge |
Caos, peso e celebração: uma abordagem do Heavy Metal a partir da noção de gênero mediático |
2005 |
Anais do XXXVIII Congresso Brasileiro de Ciências da Comunicaçã. UERJ, 5 a 9 de setembro de 2005 |
|
|
|
|
|
Castillo Bernal, Stephen |
Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México |
2015 |
|
|
343 |
|
|
|
Connole, Edia |
Table talk with Vordb Na R.iidr |
2016 |
Metal Music Studies |
2 |
151-188 |
|
|
|
Grund, Cynthia M. |
The Sounds Of Metal: A Proposal For The Interpretation Of Extreme Metal As Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
374-382 |
|
|
|
Hudson, Stephen S. |
Feeling Beats and Experiencing Motion: A Construction-based Theory of Meter |
2019 |
|
|
334 |
|
|
|
Jameson, Benjamin Thomas |
Negotiating the cross-cultural implications of the electric guitar in contemporary concert music |
2017 |
|
|
|
|
