Author  |
Title |
Year |
Publication |
Volume |
Pages |
|
Rockdetector: A-Z of thrash metal |
2002 |
|
|
|
| Baulch, Emma |
Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene |
2003 |
Popular Music; Cambridge |
22 |
195-215 |
| Bellemare, Luc |
Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
193-208 |
| Brown, Charles M. |
Musical responses to oppression and alienation: Blues, spirituals, secular thrash, and Christian thrash metal music |
1995 |
International Journal of Politics, Culture, and Society |
8 |
439-452 |
| Büttner, Christoph A.; Wehmeier, Henrik |
Ein Film aus dem Ruhrgebiet? Deindustrialisierungsgeschichte(n) und Körperpolitiken des Metals in Thrash, Altenessen |
2022 |
ffk Journal |
7 |
15-36 |
| Cundle, Tim |
Mass Movement: The Digital Years, Vol. Two |
2022 |
|
|
|
| Dome, Malcolm |
Thrash Metal |
1991 |
|
|
|
| Dome, Malcolm |
Thrash metal |
1990 |
|
|
|
| Draus, Agnieszka |
Retoryka wojenna i ekspresja agresji w twórczości Metalliki (z lat 1983‒1991) [War Rhetoric and the Expression of Aggression in the Works of Metallica (from 1983 to 1991)] |
2023 |
Annales Universitatis Paedagogicae Cracoviensis. Studia De Cultura |
15 |
7-18 |
| Easley, David |
Half-Time, Standard-Time, and Double-Time Feels in 1980s Crossover Thrash |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
152-166 |
