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(2002). Rockdetector: A-Z of thrash metal. London: Cherry Red.
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Baulch, E. (2003). Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene. Popular Music; Cambridge, 22(2), 195–215.
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Bellemare, L. (2016). Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 193–208). New York & London: Routledge.
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Brown, C. M. (1995). Musical responses to oppression and alienation: Blues, spirituals, secular thrash, and Christian thrash metal music. International Journal of Politics, Culture, and Society, 8(3), 439–452.
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Büttner, C. A., & Wehmeier, H. (2022). Ein Film aus dem Ruhrgebiet? Deindustrialisierungsgeschichte(n) und Körperpolitiken des Metals in Thrash, Altenessen. ffk Journal, 7, 15–36.
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Cundle, T. (2022). Mass Movement: The Digital Years, Vol. Two. East Sussex, UK: Earth Island Books.
Abstract: << Mass Movement: The Digital Years, Volume 2 is the second half of a beautiful and comprehensive two book collection. A compilation of the best interviews and features from the second half of Mass Movement’s digital period.
Some of you have probably seen a lot of it before, but we're willing to bet that for the majority of you, this is the first time that you’ve seen most, if not all, of this content. And you know what? It’s good. It’s really good and whilst Tim is happy, well as happy as a miserable old bugger like he can be, that this content is finally available again, what he's genuinely thrilled about is that it shows how varied Mass Movement Magazine was.
This collection includes interviews [and] captures the spirit and essence of everything Mass Movement was, is and always will be. This hefty book ships with additional goodies and will give you plenty to read, either from cover to cover or dipping in and out. Published worldwide 26th March 2021 and can be ordered locally within your own country on amazon or from your local book store. >>
(Source: https://www.earthislandbooks.com)
Keywords: Crust punk, Hardcore punk, Melodic hardcore, Metalcore, Thrash metal, Thrashcore, UK82, Acid Reign, Agnostic Front, Bad Religion, Burn, English Dogs, Kill Your Idols, Lagwagon, Shai Hulud, Snuff, Voorhees, Youth Of Today, Metal Blade, Revelation Records
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Dome, M. (1990). Thrash metal. London: Omnibus.
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Dome, M. (1991). Thrash Metal. Valencia: Ed. la Máscara.
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Draus, A. (2023). Retoryka wojenna i ekspresja agresji w twórczości Metalliki (z lat 1983‒1991) [War Rhetoric and the Expression of Aggression in the Works of Metallica (from 1983 to 1991)]. Annales Universitatis Paedagogicae Cracoviensis. Studia De Cultura, 15(4), 7–18.
Abstract: “This paper firstly attempts to trace the rhetoric of war – that is, the conventionalized poetic language used primarily by writers of poetry – from ancient times to the present. Secondly, a collection of the most important rhetorical strategies, created from the analysis of this mythical imagination and its European legacy, will serve as a starting point for an interpretation of Metallica’s lyrics from their five major albums released between 1983 and 1991, and of the musical means that create the emotional power of this music.”
(SOURCE: https://studiadecultura.uken.krakow.pl/article/view/10913)
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Easley, D. (2025). Half-Time, Standard-Time, and Double-Time Feels in 1980s Crossover Thrash. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 152–166). Abingdon; New York: Routledge.
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